I have ridden horses for over sixty years. Regarding dressage riding specifically, I discovered that in the early 1980s and never looked back. The subject has held my attention since then in my work with my various horses. My preference has always been for classical dressage, not competition dressage. Any book that aims towards that is a winner for me. Formerly I wrote for a newspaper for twenty years, along with holding many other jobs in different professions. Now I write fiction based around the subject of the sport of dressage.
I wrote
A Bit of Murder: The Dressage Queen's Guide to Murder Series
This book unlocks several secrets held by Nuno Oliveira not only in its text but also with the many photographs. The author studied with the master for over a decade and it shows in this book. A must for any aficionado of dressage. I have used the tips in this book to help me with some of the movements such as proper weighting of the rider during dressage movements such as half pass. There are scant videos of Nuno riding and performing so this book fills out my curiosity about this man. That is why I am glad I own it.
This great book is the next in Xenophon Press’ series by the students of Master Nuno Oliveira. Eleanor Russell studied with Oliveira for over ten years. For an entire year, she studied horsemanship with her stallion, Victorieux in Avessada, Portugal. During this time, she took dutiful notes of her master’s teachings and faithfully recorded quotations of his lessons and discussions. Ms. Russell was permitted to photograph him in his daily work on average horses. This book is filled with candid, un-posed photographs seldom before seen. The lessons are practical and concrete. This volume illustrates daily life at the stables and…
I rode with the late Colonel for many years when he traveled to America. He was classically trained in dressage and a judge of the sport in Europe. I own all of his books and DVDs. He was always about the horse first. He was still riding and training up through his eighties which is testimony enough as to why dressage, if done properly, helps not only the horse but the human rider as well with longevity and proper posture.
With this title, the author has developed a useful tool for any horse person interested in riding and training a horse for dressage, eventing or jumping. This book was developed to help riders, trainers and judges undesrstand what it takes to train a horse classically so that it can be successful in any discipline. Here, the author presents his "training tree" concept. It outlines the ten essential elements of classical basic training and shows how the elements are related and in what order they should be achieved.
This is a dense book but well worth the read. It goes into the history of how some decisions have been made about the regulation of dressage internationally. It gives an excellent analysis of how classical dressage became the goal and should always remain so. It is more of an “overview” book on dressage rather than a “how to” but I have enjoyed reading it for background. One particularly interesting segment explained how modern day dressage relegates the lower level riders to use snaffle bits and how this decision came to be. There are not many books out there that focus just on this aspect. That is why I appreciate this one in particular.
The author was a student of the renowned Egon von Neindorff. This book gives clear descriptions and a step-by-step guide on how to achieve the lightness and impulsion dressage riders seek. It explains how a younger horse’s exercises should differ from a more seasoned one. The explanation of an ideal seat is par none. I found the photos used as examples to be clear. The author uses bullet dots to make his key points and this enhances the importance and clarity of his descriptions. I can look at the short lists for critical pieces of info and use them as I work my own horses.
"Dressage Formula" was first published in 1980 and has been constantly in demand ever since. It has now been completely revised and extended for the third time and is presented in the same clear, easy-to-read format that has helped to make it one of the most consistently popular and widely quoted books on the subject of dressage in print today. Based on the principles of the classical school, the author covers both the aesthetic and practical aspects of riding and training in order to encourage everyone who rides, whether professional or amateur, to obtain maximum pleasure and education from their…
I currently study under the Ritters. Dr. Ritter has published two books and this one is his master compendium. In it he explains the history of dressage plus offers a plethora of exercises and drills to help your horse become more supple and responsive. His explanation of stirrup stepping which has been known to be used at the Spanish Riding School in Vienna is extremely useful.
Analyzed by an expert and accompanied by many practical examples, the ancient secrets of classical riding are presented here in a modern way Classical riding, in essence, is correct riding. It is how one should ride every time they get on a horse, and includes not just knowing how to ride, but all around knowledge of the horse as a species. Here, a thorough examination of classical riding is presented through accessible modern day examples. It also includes almost forgotten, yet essential, riding methods—such as the Bügeltritt (the position of the rider’s foot in the stirrup) or ridden work with…
A tack seller who works at dressage horse competitions keeps finding dead bodies at horse shows. She gets tricked into buying the most coveted stallion at an auction. How can she save herself and her friends?
I have been to, and loved, North, Central, and especially East Africa for over fifty years. Only six times have I been to Africa on holiday; more often, perhaps twenty or more times, as a television producer. Working in Africa gains a perspective of reality that the glories of vacation do not. Each has its place, each its pitfalls like stalled plane rides with emergency landings in the bush or attacks by wildlife. But, in the end, the magic of the “otherness,” what an old friend called “primitava” captures one’s soul and changes your life.
Keen to rekindle their love of East African wildlife adventures after years of filming, extreme dangers, and rescues, producer Pero Baltazar, safari guide Mbuno Waliangulu, and Nancy Breiton, camerawoman, undertake a filming walking adventure north of Lake Rudolf, crossing from Kenya into Ethiopia along the Omo River, following a herd of elephant making their annual migration.
Stumbling onto an elephant poaching, the team become embroiled in true financing of terrorism for al Shabaab –ivory sales–and are determined to stop the slaughter at any cost. Ivory trade financing terrorism involves UN refugee camps with two hundred thousand displaced Somali persons, powerful…
A documentary team hiking through East Africa collides with a gang of deadly poachers, in this gripping adventure by the author of Kidnapped on Safari.
Years of filming, extreme dangers, and daring rescues have taken their toll on documentary producer Pero Baltazar and his team. To relax and reconnect with the East African wildlife they love, Pero organizes a walking safari for him, his camerawoman Nancy Breiton, and their elite guide Mbuno Waliangulu. Still, Pero has trouble truly disconnecting from work. When the team comes across a herd of elephants making their annual migration north of Lake Rudolf, Pero decides…
